Music Releases 10-22-21
On their new full-length - the first new music since The Waterfall (2015) - My Morning Jacket reaffirm the rarefied magic that has made them so beloved, embedding each song with moments of discovery, revelation and ecstatic catharsis. It comes after a near permanent hiatus for the band until performing four shows in summer '19 left them with a new energy. Jim James engineered/produced at 64 Sound in LA where the band spent weeks in intentional seclusion emerging with their self-titled 9th album.
GRAMMY®-nominated American singer/songwriter Lana Del Rey’s eighth studio album Blue Banisters follows the success of her previous album Chemtrails Over The Country Club, released earlier this year. Blue Banisters will include previously released songs "Wildflower Wildfire," "Blue Banisters," "Arcadia," and "Text Book."
Vinyl: $197.98 Buy
Tattoo You celebrates 40 years with the release of a brand new Super Deluxe 5 LP Boxset which includes the newly remastered version of Tattoo You, Lost & Found: Rarities, and Still Life: Wembley Stadium 1982. Also included is a 124-page book featuring over 200 rare photos from recording sessions and their world tour, plus interviews with producer Chris Kimsey and photographer Hubert Kretzscmar. The package includes a special lenticular sleeve.
This newly discovered live-recording of a performance of the Love Supreme suite is a revelation. Recorded at The Penthouse in Seattle on October 2, 1965, this recording transports the listener to a prime seat for piece of musical history. While not studio-quality audio, the power of the performance shines through. This version is also of the full suite and features an expanded band that includes the same Classic Quartet and Pharoah Sanders in his first official gig as part of Coltrane’s group.
FUTURE PAST is the highly anticipated 15th studio album from Duran Duran and boasts esteemed producers Erol Alkan, Giorgio Moroder and Mark Ronson behind the board. It features special guests Graham Coxon of Blur on guitar, Mike Garson from David Bowie's band on piano, and guest vocals from Lykke Li, with more exciting collaborations to be announced soon
50 years following the release of his self-titled first solo album McCartney, featuring Paul playing every instrument and writing and recording every song, Paul McCartney released McCartney III on December 18th 2020. Paul hadn’t planned to release an album in 2020, but in the isolation of “Rockdown,” he soon found himself fleshing out some existing musical sketches and creating even more new ones. Before long an eclectic collection of spontaneous songs would become McCartney III: a stripped back, self-produced and, quite literally, solo work marking the opening of a new decade, in the tradition of 1970’s McCartney and 1980’s McCartney II. Recorded in Sussex, McCartney III is mostly built from live takes of Paul on vocals and guitar or piano, overdubbing his bass playing, drumming, etc. atop that foundation. McCartney III spans a vast and intimate range of modes and moods, from soul searching to wistful, from playful to raucous and all points between — captured with some of the same gear from Paul’s Rude Studio used as far back as 1971 Wings sessions. And Paul's array of vintage instruments he played on the new album have an even more storied history, including Bill Black of Elvis Presley's original trio's double bass alongside Paul's own iconic Hofner violin bass, and a mellotron from Abbey Road Studios used on Beatles recordings, to name but a few. Just as McCartney’s 1970 release marked Paul’s return to basics in the wake of the biggest band break-up in musical history, and the 1980 avant-garde masterpiece McCartney II rose from the ashes of Wings, McCartney III finds Paul back on his own, turning unexpected circumstances into a personal snapshot of a timeless artist at a unique point in history.
The brand new indie-exclusive ‘3333 Edition’ of McCartney III, pressed by Third Man Pressing, is limited to 3,333 copies worldwide on yellow-and-black splatter vinyl composed from a “regrind” of McCartney & McCartney II records.
Introducing Jackson + Sellers and their debut album Breaking Point, on ANTI records. Jade Jackson and Aubrie Sellers, two rising stars who aligned during the pandemic to write one of the most compelling duo albums of the last decade.
Drawn together by instant chemistry, cosmic forces and their ability to write intuitive romantic breakup songs for each other, their album is a window into the dissolution of two different relationships and the formation of another: a perfect, platonic, creative union. United in their desire to write a record that reflected their expansive musical interest from 70s rock to raucous roots to indie pop, their LA written, Nashville recorded album is a masterclass in unexpected vocal harmonic convergence.
With Breaking Point, Jackson + Sellers will establish themselves as two individual artists who together, share a deep friendship, musical kinship and the ability to craft tight singular pop rock songs that will embed themselves in your ears for the rest of time.
EVERY TIME I DIE is a loud rock institution committed to leaving an outpouring of chaotic passion and blissful malcontent all over their records and on the stage. With boiling charisma and unrelenting energy to spare, the Buffalo, NY band manages not one but two near-impossible tasks. They’ve survived two decades as an underground entity cherished for coloring outside the lines, and contrary to most career arcs, continually improving with each successive album as they charge ahead. ETID makes a glorious hardcore-punk noise. Alchemized by a swampy summoning of Southern rock and coarse poetry, the music swirls beneath sardonic and clever wordplay, cementing them as leaders, not followers.
The band’s ninth studio album, Radical, is 16 tracks of peak-ETID, including raucous new anthems. They deliver what you have come to know and love and then diverge into new paths. To say that “All This And War” featuring guest vocals by Josh Scogins from The ‘68 is absolute brutal heaviness is an understatement. It’s an addictive punch in the face, you’ll want on repeat. The boys then run off to explore the dark haunted woods of a more somber and melodic side in the track “Thing With Feathers” featuring Andy Hull from Manchester Orchestra.
Radical proves with every track that it is a distillation of the strengths of their past, injected with their unyielding revelry and signature sarcasm while cognizant – and fiercely combative – of the present state of world affairs.
Parquet Courts' thought-provoking rock is dancing to a new tune. Sympathy For Life finds the Brooklyn band at both their most instinctive and electronic, spinning their bewitching, psychedelic storytelling into fresh territory, yet maintaining their unique identity. Built largely from improvised jams, inspired by New York clubs, Primal Scream and Pink Floyd and produced in league with Ro- daidh McDonald (The xx, Hot Chip, David Byrne), Sympathy For Life was always destined to be dancey. Unlike its globally adored predecessor, 2018"s Wide Awake! the focus fell on grooves rather than rhythm. 'Wide Awake! was a record you could put on at a party,' says co-frontman Austin Brown. 'Sympathy For Life is influenced by the party itself. Historically, some amazing rock records have been made from mingling in dance music culture ' from Talking Heads to Screamadelica. Our goal was to bring that into our own music.'
Elton John's The Lockdown Sessions is an album of collaborations recorded remotely over the last 18 months. The Lockdown Sessions is a dazzlingly diverse collection of 16 songs, all Elton John collaborations, with some of the biggest, most exciting artists in the world today including Brandi Carlile, Charlie Puth, Dua Lipa, Eddie Vedder, Gorillaz, Lil Nas X, Miley Cyrus, Nicki Minaj, Rina Sawayama, SG Lewis, Stevie Nicks, Stevie Wonder, Surfaces, Years & Years, Young Thug, and more.
Third Man Records is ecstatic to celebrate the 20th anniversary of The White Stripes breakthrough album White Blood Cells with the release of this very special "Peppermint Pinwheel" pressing.
Available exclusively at independent record stores worldwide, this eye-popping pressing is here for a limited time only and will never be pressed again.
Limited Edition Pink Vinyl Double LP!
Only 3000 Copies Pressed!
Part Of The Ten Bands One Cause Campaign To Support Cancer Patients & Their Caretakers!
Ten Bands re-issue their albums on limited edition pink vinyl, all for one cause. This is the 8th year for the initiative, and a portion of the proceeds from each shipment will go towards the Red Door Community (formerly Gilda's Club NYC).
The nonprofit's mission is to create a welcoming community of FREE cancer support to bring knowledge, hope, and empowerment to anyone and everyone impacted by cancer and their families. They are committed to expanding their program and broadening their reach to meet the growing needs of individuals living with cancer, in more places, and in more ways than ever before.
Recorded over three nights in February 1970 when the Allman Brothers Band opened for the Grateful Dead for the first time, these shows were recorded by Owsley Stanley, the Dead's pioneering soundman, whose "Sonic Journal" recordings are sought after for their purity and uncanny ability to place the listener in the venue. This is essential listening for Allman Brothers Band fans, showcasing an early incarnation of the band with Duane Allman in full form and featuring the earliest known live concert recording of "In Memory of Elizabeth Reed", which had just been penned by Dickey Betts shortly before these shows. The tapes were recorded just one year before the band's landmark At Fillmore East album from the same venue.
Long out-of-print, this set was freshly restored and mastered from original tapes in Owsley Stanley's archives, and includes all new album art and liner notes, including a series of rare band photos from the Fillmore East in February 1970, original cover artwork ("Electric Mushroom"), and new notes from the Allman Brothers Band and the Owsley Stanley Foundation. This is the second release in the award-winning "Bear's Sonic Journals" series and the first joint presentation by the Allman Brothers Band and the Owsley Stanley Foundation.
BEAR'S SONIC JOURNALS: FILLMORE EAST FEBRUARY 1970 2LP (Pink Vinyl)
NCT 127’s 3rd full-length album ‘Sticker’ includes 11 songs across various genres including the lead single “Sticker.” The Sticker version includes 1 photo card, 1 sticker, and 1 postcard (all random 1 out of 9). It also includes 1 photo book, and 1 folded poster. This is an official release from SM Entertainment. Size: 219mm x 298mm x 8.9mm. Weight: 415g.
Over eighteen boundless albums as experimental as they are pop, Deerhoof has continuously quested for radical sounds and daring storytelling. 2020’sFuture TeenageCave Artists explored fairytale visions of post-apocalypse, welding intrinsic melodies with absurdist digital recording methods. Its sequel Love-Lore, a live covers medley, channeled futurist mid-century artists—Parliament, Sun Ra and Stockhausen, to name a handful— into a patchwork love letter to the anti-authoritarian expressions that inspire the band. Galvanized by the challenge of unifying many styles of music, Deerhoof landed on their next record’s concept: baroque gone DIY.
Actually, You Can is a genre-abundant record that uses technicolor vibrancy and arpeggiated muscularity to offer a vital shock from capitalism’s purgatorial hold. “In theUnited States now, to be a moral person means to be a criminal, whether it has to do with a general strike or forming a union or Black Lives Matter protests,” clarifies Saunier of the album’s countercultural embrace of liberation. “If you follow the rules, you’re guilty. That’s the spirit we were trying to express: an angelic prison bust, a glamorous prison bust.” It’s a condemnation of America’s mundanity, replacing violence with the heartfelt power of mutualism.
With state lines and oceans separating band members, Deerhoof not only reinvented their sonic and thematic credo, but also their recording process. Deerhoof’s players are not strangers to home-recording their individual parts, and have long embraced composing via file trading. But 2020’s halt to touring kicked off their longest separation from playing together, foregrounding new priorities. As the group’s combined demos became increasingly layered, bassist and vocalist Satomi Matsuzaki put her foot down, insisting the new album should replicate concert energy. Visualizing the quartet on huge stages with past tour mates Radiohead and Red Hot Chili Peppers, Saunier fugue-arranged his bandmates’ complex demos into songs to make an audience smile and dance. He sought out far-traveling delays, heavy playing, and unique panning to evoke the power of outdoor music. Matsuzaki scrutinized spots that would betray the conceit, eliminating anything that took away from the sound of onstage grandeur. “We spent so much time imagining playing together in the process of recording, it’s almost like a false memory of us playing this music together,” Saunier marvels.
For Deerhoof’s members to continually uncover new corners of their own talent requires deep wells of gratitude, not only for each others’ creativity but for the freedom their career affords. But by embracing each other’s art with curiosity, Deerhoof authors a musical alphabet that continues to astound and inspire, a unique lexicon expanding limitlessly with each album. For new listeners and decades-long devotees, Deerhoof’s electrifying, generous approach to collaborative world building onActually, You Canis an emboldening call to support our communities with renewed strength, infinite love, and the resilience to keep exploring
Following on from the successful An Idiot Prayer live album and livestream event released this year, Nick Cave Productions & BMG announce B-SIDES & RARITIES PART I & II to be released internationally on October 22, 2021.
B-SIDES & RARITIES PART II was compiled by Nick Cave & Warren Ellis and features 27 tracks from Dig, Lazarus, Dig!!! in 2006 to 2019s Ghosteen. Also features 19 rare and unreleased tracks including first recordings of “Skeleton Tree,” “Girl in Amber,” “Bright Horses” and “Waiting for You.”
Vinyl: $79.98 Buy
The Replacements' 1981 Twin/Tone Records debut, SORRY MA, FORGOT TO TAKE OUT THE TRASH, heralded the Minneapolis-based band's competing tendencies toward indelible genius and reckless abandon. The 'Mats' legendary founding line-up - lead singer/songwriter and guitarist Paul Westerberg, drummer Chris Mars, and brothers Bob and Tommy Stinson (lead guitar and bass respectively) - unleashed a thrilling, dynamic sound on the album with now-classic songs like "Takin' A Ride," "Shiftless When Idle," and "Customer."
We're celebrating the 40th anniversary of SORRY MA, FORGOT TO TAKE OUT THE TRASH this fall with a 4CD/1LP set that offers a remarkable document of The Replacements' formative years. Of the set's 100 tracks, 67 have never been released before, including the first demos the band recorded in early 1980, as well as a professionally captured concert from January 1981. Along with a newly remastered version of the original album, it also uncovers many unreleased rough mixes, alternate takes, and demos from the band's first 18 months together. The LP included in the set, titled Deliberate Noise, presents an alternate version of the original album using these previously unreleased tracks.
SORRY MA, FORGOT TO TAKE OUT THE TRASH (DELUXE EDITION) is presented in a 12 x 12 hardcover book loaded with dozens of rarely seen photos. The set was produced by Twin/Tone Records co-founder Peter Jesperson, Rhino's Jason Jones, and Replacements' biographer Bob Mehr, who received a Grammy for Best Album Notes for his work on the band's acclaimed 2019 boxed set Dead Man's Pop. Mehr again penned the detailed liners that accompany this set, which features new interviews with The Replacements. Former Replacements manager Jesperson also provides a remembrance of the Sorry Ma era.
The boxed set opens with a remastered version of the original album that's been expanded with the non-album B-side, "If Only You Were Lonely." From there, a second disc, titled Raised in the City, delves into the group's very first recordings ("Try Me," "She's Firm," "Lookin For Ya"), as well as studio demos for album tracks (including "Shutup" and "I Hate Music"), outtakes ("Shape Up," and "Get On The Stick," among them) and rare basement recordings ("Lie About Your Age," "Johnny Fast"). A handful of these appeared on Rhino's 2008 reissue of Sorry Ma, but more than a dozen included on the new set have never been released.
Four outtakes on the collection's third disc, Tape's Rolling, debuted on the same 2008 reissue, but here they're joined by more than two dozen unreleased recordings. Highlights include electrifying alternate versions of "Johnny's Gonna Die" and "Love You Till Friday," alternate mixes for "Rattlesnake" and "More Cigarettes," plus Westerberg's home demos of "You're Pretty When You're Rude" and "If Only You Were Lonely."
The Deluxe Edition ends on a high note with the earliest professional live recording of The Replacements. The previously unreleased concert, dubbed Unsuitable for Airplay, was captured by Twin/Tone's mobile unit on January 23, 1981, at the 7th St Entry in Minneapolis, MN. A portion of the show was later broadcast on the local community radio station, KFAI.
Platinum Recording Artist BIA has gradually been travelling along her own lane within music, a lane that only she can occupy. Raised in Boston, the rap femme fatale is known for music that possesses both biting wit and a boldly authentic swag. By the close of 2020, she dropped her For Certain EP, armed with the hit single “Whole Lotta Money”—a song with a central message that unlimited currency can be both mental and physical. The EP reached the Top 10 of Billboard’s Heatseekers Album Charts, with the aforementioned single become a sleeper hit that would bring her uncharted success into 2021. “Whole Lotta Money” became an undeniable force, due in part to its continuous viral success on TikTok and has jumped right off the platform and into streaming stardom, marking its territory in the Spotify Viral 50 Chart as well as the Global Spotify Charts. It only keeps on growing. So what’s next for BIA? A whole lotta moves. As she readies the For Certain deluxe release for the Fall, BIA has much more in store as one of the most raved about (and streamed) artists within hip-hop. “What matters to me most is where I’m at right now and where I’m going,” she says. “I’m having the time of my life.”
Vinyl: $30.98 Buy
Let It Come Down is the fourth album by the rock band Spiritualized, released in 2001. It was recorded and produced at Abbey Road and AIR Studios. It took Jason Pierce, Spiritualized's lead singer, guitarist and sole constant member four years to write, perform, produce and release. The album utilizes 115 session musicians, including orchestra and London Community Gospel Choir.
Single LP on orange vinyl in same jacket as standard LP w/ plain-sleeve CD of bonus tracks & 24” x 24” folded poster insert. Full album download included. Ltd edition. Indie Only.
From Mac McCaughan of Superchunk: To write the songs for Here's to Shutting Up, we gathered in Jim's garage (he lived way out in the woods) a couple times a week for what seemed like months. We started from actual scratch with no demos or concepts, just playing instrumental music with our usual gear plus a Casio. We recorded the album in the Cabbagetown neighborhood of Atlanta at Zero Return, the studio built by Brian and Rob (aka Birdstuff and Coco the Electronic Monkey Wizard) of Man or Astro-man? Brian Paulson came with us to produce it.Here's to Shutting Up was meant to be released on September 18, 2001. On September 11, the world changed. Our release date moved a couple weeks, but our tour dates remained and we flew to Japan in October. It was a WILD time to be traveling the world. Receptions ranged from "thank you for giving us something else to think about" to "why are you here?" We flew home from Japan and left for the UK the day the US started bombing Afghanistan. This was the climate, and the climate was not great for playing rock music.