For the first time, star tenor Daniel Behle sings in a GENUIN production: Together with the Orchestra of the Munich Chamber Opera, he interprets two of the most beautiful song cycles ever, namely Franz Schubert's Schwanengesang and Robert Schumann's Dichterliebe. In both cycles, Alexander Krampe transforms the original piano accompaniment into an exciting orchestral arrangement. This is supported by the tonally rich and supple voice of Daniel Behle in the most fortunate manner: from the delicate textures of Schubert's Liebesbotschaft to the pale expanses of his Doppelgänger to the cutting rhythms of Schumann's Die alten, bösen Lieder.
For the first time, star tenor Daniel Behle sings in a GENUIN production: Together with the Orchestra of the Munich Chamber Opera, he interprets two of the most beautiful song cycles ever, namely Franz Schubert's Schwanengesang and Robert Schumann's Dichterliebe. In both cycles, Alexander Krampe transforms the original piano accompaniment into an exciting orchestral arrangement. This is supported by the tonally rich and supple voice of Daniel Behle in the most fortunate manner: from the delicate textures of Schubert's Liebesbotschaft to the pale expanses of his Doppelgänger to the cutting rhythms of Schumann's Die alten, bösen Lieder.
4260036257106

Details

Format: CD
Label: GENUIN
Rel. Date: 09/04/2020
UPC: 4260036257106

Schwanengesang Und Dichterlieb
Artist: Daniel Behle
Format: CD
New: Available to Order 16.99
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DISC: 1
MP3
1. Schwanengesang, D. 957 (Orch. A. Krampe): No. 1, Liebesbotschaft
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2. Schwanengesang, D. 957 (Orch. A. Krampe): No. 2, Kriegers Ahnung
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3. Schwanengesang, D. 957 (Orch. A. Krampe): No. 3, Frühlingssehnsucht
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4. Schwanengesang, D. 957 (Orch. A. Krampe): No. 4, Ständchen
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5. Schwanengesang, D. 957 (Orch. A. Krampe): No. 5, Aufenthalt
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6. Schwanengesang, D. 957 (Orch. A. Krampe): No. 6, In Der Ferne
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7. Schwanengesang, D. 957 (Orch. A. Krampe): No. 7, Abschied
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8. Schwanengesang, D. 957 (Orch. A. Krampe): No. 8, Der Atlas
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9. Schwanengesang, D. 957 (Orch. A. Krampe): No. 9, Ihr Bild
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10. Schwanengesang, D. 957 (Orch. A. Krampe): No. 10, Das Fischermädchen
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11. Schwanengesang, D. 957 (Orch. A. Krampe): No. 11, Die Stadt
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12. Schwanengesang, D. 957 (Orch. A. Krampe): No. 12, Am Meer
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13. Schwanengesang, D. 957 (Orch. A. Krampe): No. 13, Der Doppelgänger
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14. Schwanengesang, D. 957 (Orch. A. Krampe): No. 14, Die Taubenpost
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15. Dichterliebe, Op. 48 (Orch. A. Krampe): No. 1, Im Wunderschönen Monat Mai
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16. Dichterliebe, Op. 48 (Orch. A. Krampe): No. 2, Aus Meinen Tränen Sprießen
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17. Dichterliebe, Op. 48 (Orch. A. Krampe): No. 3, Die Rose, Die Lilie, Die Taube, Die Sonne
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18. Dichterliebe, Op. 48 (Orch. A. Krampe): No. 4, Wenn Ich In Deine Augen Seh`
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19. Dichterliebe, Op. 48 (Orch. A. Krampe): No. 5, Ich Will Meine Seele Tauchen
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20. Dichterliebe, Op. 48 (Orch. A. Krampe): No. 6, Im Rhein, Im Heiligen Strome
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21. Dichterliebe, Op. 48 (Orch. A. Krampe): No. 7, Ich Grolle Nicht
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22. Dichterliebe, Op. 48 (Orch. A. Krampe): No. 8, Und Wüßten`s Die Blumen
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23. Dichterliebe, Op. 48 (Orch. A. Krampe): No. 9, Das Ist Ein Flöten Und Geigen
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24. Dichterliebe, Op. 48 (Orch. A. Krampe): No. 10, Hör` Ich Das Liechen Klingen
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25. Dichterliebe, Op. 48 (Orch. A. Krampe): No. 11, Ein Jüngling Liebt Ein Mädchen
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26. Dichterliebe, Op. 48 (Orch. A. Krampe): No. 12, Am Leuchtenden Sommermorgen
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27. Dichterliebe, Op. 48 (Orch. A. Krampe): No. 13, Ich Hab` Im Traum Geweinet
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28. Dichterliebe, Op. 48 (Orch. A. Krampe): No. 14, Allnächtlich Im Träume
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29. Dichterliebe, Op. 48 (Orch. A. Krampe): No. 15, Aus Alten Märchen Winkt Es
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30. Dichterliebe, Op. 48 (Orch. A. Krampe): No. 16, Die Alten, Bösen Lieder
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More Info:

For the first time, star tenor Daniel Behle sings in a GENUIN production: Together with the Orchestra of the Munich Chamber Opera, he interprets two of the most beautiful song cycles ever, namely Franz Schubert's Schwanengesang and Robert Schumann's Dichterliebe. In both cycles, Alexander Krampe transforms the original piano accompaniment into an exciting orchestral arrangement. This is supported by the tonally rich and supple voice of Daniel Behle in the most fortunate manner: from the delicate textures of Schubert's Liebesbotschaft to the pale expanses of his Doppelgänger to the cutting rhythms of Schumann's Die alten, bösen Lieder.