This release on PASSACAILLE with the exceptional baroque violinist Mayumi Hirasaki presents masterpieces of the virtuoso violin literature with scordatura, which had it's heyday between about 1600 and 1730. In addition to well-known names such as Biber and Tartini, the varied and cleverly arranged program also features charming rarities by Johann Joseph Vilsmayr and Pietro Castrucci. Mayumi Hirasaki was born in Japan and initially studied modern violin at the Tokyo University of the Arts and Music. She then continued her studies at the Hochschule für Musik Nuremberg-Augusburg under Prof. Daniel Gaede and specialized in Baroque violin under Prof. Mary Utiger at the Hochschule für Music and Theater Munich. Further study programs followed under Prof. Giuliano Carmignola in Lucerne and under Prof. Christine Schornsheim in Munich, where the harpsichord was her field concentration.
This release on PASSACAILLE with the exceptional baroque violinist Mayumi Hirasaki presents masterpieces of the virtuoso violin literature with scordatura, which had it's heyday between about 1600 and 1730. In addition to well-known names such as Biber and Tartini, the varied and cleverly arranged program also features charming rarities by Johann Joseph Vilsmayr and Pietro Castrucci. Mayumi Hirasaki was born in Japan and initially studied modern violin at the Tokyo University of the Arts and Music. She then continued her studies at the Hochschule für Musik Nuremberg-Augusburg under Prof. Daniel Gaede and specialized in Baroque violin under Prof. Mary Utiger at the Hochschule für Music and Theater Munich. Further study programs followed under Prof. Giuliano Carmignola in Lucerne and under Prof. Christine Schornsheim in Munich, where the harpsichord was her field concentration.
5425004840806

Details

Format: CD
Label: PASSACAILLE
Rel. Date: 11/06/2020
UPC: 5425004840806

L'arte Della Scordatura / Various
Artist: Larte Della Scordatura / Various
Format: CD
New: Available to Order 16.99
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DISC: 1
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1. Violin Sonata No. 6 In C Minor, C. 143: I. (Without Tempo Indication) (From "Sonatae, Violino Solo", Nuremberg, 1681)
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2. Violin Sonata No. 6 In C Minor, C. 143: II. Passacagli (From "Sonatae, Violino Solo", Nuremberg, 1681)
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3. Violin Sonata No. 6 In C Minor, C. 143: III. Harpeggio - Adagio (From "Sonatae, Violino Solo", Nuremberg, 1681)
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4. Violin Sonata No. 6 In C Minor, C. 143: IV. Gavotto (From "Sonatae, Violino Solo", Nuremberg, 1681)
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5. Violin Sonata No. 6 In C Minor, C. 143: V. Adagio - Allegro (From "Sonatae, Violino Solo", Nuremberg, 1681)
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6. Partita No. 5 For Solo Violin In G Minor: I. Prelude. Harpeggio (From "Artificiosus Concentus Pro Camera", Salzburg, 1
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7. Partita No. 5 For Solo Violin In G Minor: II. Gavott. Allegro (From "Artificiosus Concentus Pro Camera", Salzburg, 171
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8. Partita No. 5 For Solo Violin In G Minor: III. Saraband. Adagio (From "Artificiosus Concentus Pro Camera", Salzburg, 1
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9. Partita No. 5 For Solo Violin In G Minor: IV. Rigodon. Allegro (From "Artificiosus Concentus Pro Camera", Salzburg, 17
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10. Partita No. 5 For Solo Violin In G Minor: V. Guique. Allegro (From "Artificiosus Concentus Pro Camera", Salzburg, 1715
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11. Partita No. 5 For Solo Violin In G Minor: VI. Menuett (From "Artificiosus Concentus Pro Camera", Salzburg, 1715)
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12. Partita No. 5 For Solo Violin In G Minor: VII. Boure (From "Artificiosus Concentus Pro Camera", Salzburg, 1715)
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13. Partita No. 5 For Solo Violin In G Minor: VIII. Retirada. Allegro (From "Artificiosus Concentus Pro Camera", Salzburg,
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14. Toccata (Improvisation)
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15. Violin Sonata No. 1 In D Major: I. Sostenuto - Largo (From "12 Sonate A Violino Solo E Basso", Milan, 1701)
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16. Violin Sonata No. 1 In D Major: II. Alemanda. Adagio - Variatio (From "12 Sonate A Violino Solo E Basso", Milan, 1701)
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17. Violin Sonata No. 1 In D Major: III. Spiritoso - Presto (From "12 Sonate A Violino Solo E Basso", Milan, 1701)
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18. Violin Sonata No. 1 In D Major: IV. Vivace - Variatio (From "12 Sonate A Violino Solo E Basso", Milan, 1701)
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19. Violin Sonata No. 1 In D Major: V. Menuet (From "12 Sonate A Violino Solo E Basso", Milan, 1701)
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20. Balletto For Solo Violin In G Minor: I. Allemanda (Ms. Musical Archives Kremsier Sign., A4683)
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21. Balletto For Solo Violin In G Minor: II. Corrente (Ms. Musical Archives Kremsier Sign., A4683)
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22. Balletto For Solo Violin In G Minor: III. Sarabanda (Ms. Musical Archives Kremsier Sign., A4683)
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23. Balletto For Solo Violin In G Minor: IV. Gigue (Ms. Musical Archives Kremsier Sign., A4683)
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24. Balletto For Solo Violin In G Minor: V. Variatio (Ms. Musical Archives Kremsier Sign., A4683)
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25. Balletto For Solo Violin In G Minor: VI. Double (Ms. Musical Archives Kremsier Sign., A4683)
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26. Praeludio (Improvisation)
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27. Violin Sonata In A Minor, Op. 1 No. 12: I. Adagio Andantissimo (From "Sonate A Violino E Violone O Cembalo, Op. 1", Am
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28. Violin Sonata In A Minor, Op. 1 No. 12: II. Allegro - Adagio - Allegro - Adagio - Allegro (From "Sonate A Violino E Violone
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29. Violin Sonata In A Minor, Op. 1 No. 12: III. Adagio (From "Sonate A Violino E Violone O Cembalo, Op. 1", Amsterdam, 17
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30. Violin Sonata In A Minor, Op. 1 No. 12: IV. Andante Partite (From "Sonate A Violino E Violone O Cembalo, Op. 1", Amste
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31. Pastorale In A Major, B. A16: I. Grave (From "12 Solos For A Violin With A Thorough Bass For The Harpsichord Or Violoncello
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32. Pastorale In A Major, B. A16: II. Allegro (From "XII Solos For A Violin With A Thorough Bass For The Harpsichord Or Violonc
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33. Pastorale In A Major, B. A16: III. Largo - Presto - Largo - Presto - Andante (From "12 Solos For A Violin With A Thorough B
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34. Sonata II D'inventione Per Il Violino (From "Sonate, Symphonie, Canzoni, Passe'mezzi, Baletti, Corenti, Gagliarde E
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More Info:

This release on PASSACAILLE with the exceptional baroque violinist Mayumi Hirasaki presents masterpieces of the virtuoso violin literature with scordatura, which had it's heyday between about 1600 and 1730. In addition to well-known names such as Biber and Tartini, the varied and cleverly arranged program also features charming rarities by Johann Joseph Vilsmayr and Pietro Castrucci. Mayumi Hirasaki was born in Japan and initially studied modern violin at the Tokyo University of the Arts and Music. She then continued her studies at the Hochschule für Musik Nuremberg-Augusburg under Prof. Daniel Gaede and specialized in Baroque violin under Prof. Mary Utiger at the Hochschule für Music and Theater Munich. Further study programs followed under Prof. Giuliano Carmignola in Lucerne and under Prof. Christine Schornsheim in Munich, where the harpsichord was her field concentration.